Cat People (1942) 1080p YIFY Movie

Cat People (1942) 1080p

Cat People is a movie starring Simone Simon, Tom Conway, and Kent Smith. An American man marries a Serbian immigrant who fears that she will turn into the cat person of her homeland's fables if they are intimate together.

IMDB: 7.43 Likes

  • Genre: Fantasy | Horror
  • Quality: 1080p
  • Size: 1.39G
  • Resolution: / fps
  • Language: English
  • Run Time: 73
  • IMDB Rating: 7.4/10 
  • MPR: Normal
  • Peers/Seeds: 3 / 8

The Synopsis for Cat People (1942) 1080p

Serbian national Irena Dubrovna, a fashion sketch artist, has recently arrived in New York for work. The first person who she makes a personal connection with there is marine engineer Oliver Reed. The two fall in love and get married despite Irena's reservations, not about Oliver but about herself. She has always felt different than other people, but has never been sure why. She lives close to the zoo, and unlike many of her neighbors is comforted by the sounds of the big cats emanating from the zoo. And although many see it purely as an old wives' tale, she believes the story from her village of ancient residents being driven into witchcraft and evil doing, those who managed to survive by escaping into the mountains. After seeing her emotional pain, Oliver arranges for her to see a psychiatrist to understand why she believes what she does. In therapy, Dr. Judd, the psychiatrist, learns that she also believes, out of that villagers' tale, that she has descended from this evil - women ...


The Director and Players for Cat People (1942) 1080p

[Director]Jacques Tourneur
[Role:]Tom Conway
[Role:]Jane Randolph
[Role:]Kent Smith
[Role:]Simone Simon


The Reviews for Cat People (1942) 1080p


Shadows In the DarkReviewed bybsmith5552Vote: 7/10

"Cat People" was the first of nine horror movies from the RKO "B" unit headed by the legendary Val Lewton. Lewton had worked for the unpredictable Davis O. Selznick in the 1930s. Lewton left Selznick (who wouldn't have) and was offered a chance to head up his own "B" unit at RKO. And the rest as they say is history.

Irena (Simone Simon) and Oliver (Kent Smith) meet at a zoo where she is sketching pictures of a black panther. Oliver is immediately attracted to the mysterious Irena and they marry. When Irena is unable to consummate their marriage, Oliver tries to be understanding. It seems Irena descends from a people whose women turn into black panthers when aroused or angered. As corny as it sounds, the premise actually works under the able direction of Jacques Tourneur and the supervision of Lewton.

Alice Moore (Jane Randolph) works with Oliver and confesses her love for him. Irena meanwhile, has sought out help from psychiatrist Dr. Louis Judd (Tom Conway). Oliver in the meantime has come to love Alice and tells Irena that their marriage is over. Irena becomes jealous of Alice and you know what that means.

In two of the film's classic scenes, Lewton gives us the first of his "shadows in the dark" scares. First, Irena follows Alice through the park at night and suddenly Alice becomes aware that "something" is following her. We never see what we believe to be a panther but only subtle suggestions of same.

The second sequence takes place in the swimming pool at Alice's apartment building. Irena follows Alice to the pool area. Again, Alice senses that something is stalking her and she jumps into the pool for protection and begins to yell for help. The scene ends with Irena turning on the light and asking Alice if she has seen Oliver. Irena leaves and Alice discovers that her bathrobe has been torn to shreds.

A third such scene takes place at Oliver and Alice's office when we clearly see a black panther stalking the pair. Later, Dr. Judd who turns out to be a let ch tries to seduce Irena. She suddenly begins to change and............

Lewton was able to create terror in the minds of his audience through skillful use darkness, shadows and suggestion. We never actually see any monster in the films key fright scenes. It lives in the imaginations of his audience. He did this on a "B" picture budget with a limited shooting schedule.

The performances are excellent. Simon was chosen for the lead because of her cat-like features and turns in the performance of her career. Smith is adequate as the understanding (to a point) husband. Randolph as the "other woman" plays well against the Simon character. Conway does what he can with the limited role of Dr. Judd. Jack Holt puts in a brief appearance as Smith and Randolph's boss.

Followed by "The Curse of the Cat People" (1944).

Shadow and light.Reviewed bydbdumonteilVote: 7/10

After several movies made in his native France ,Jacques (Jack) Tourneur makes his first American works in the late thirties."Cat people" is the fifth one;the others are difficult to see and anyway this is this movie that is looked upon as his towering achievement(with the exception of "out of the past") .His female star,Simone Simon,whose English was perfect,enjoyed a career in both countries too:her best part is easily Jean Renoir's "la bête humaine" ,(human beast:it's funny when you know she's playing a woman-animal here).

"Cat people" belongs to the fantasy and horror genre,but it does not really follow its rules.We're close to psychological drama.(Almost) deprived of "special effects" -which is a blessing-Tourneur works with his camera the way a painter does with shadow and light to create strange dreamy atmospheres The pièces de résistance are the scene in the swimming -pool that creates a feeling of terror without using the tricks of the trade,and the scene when Oliver and Alice are in the flat,hearing roaring.

The movie was ahead of its time in several respects:the Freudian allusions would later be developed by Fritz Lang("secret beyond the door",1945) and of course Hitchcock ("Spellbound",same year).You're going to say that these two great directors give their movies a "realistic" treatment and Jack Tourneur does not.Actually,he takes a divergent way:he introduces ambiguity,this ambiguity dear to Roman Polanski .After all,it could be a mere ,so to speak, neurosis.Few of the sequences actually deal with the supernatural :most of the time,it's a couple then a triangle:the "fantastic" elements could be real :the disturbing woman,who calls Irene "my sister",the scenes with the panther at the zoo,and the pool sequence can be explained by Irène's jealousy.

Although,it's only understood ,it's obvious that the marriage Irène/Oliver has not been consummated,because of a not clearly defined reason-how can a man as pragmatist as Oliver believe in such a far-fetched curse?Isn't it the fear of woman,of the original sin?.This topic will be brilliantly taken on by Christian de Challonges "l'alliance" (1970).Note also how Richard Donner aped the pet shops scene for "the omen" (1976).

It seems that Alice's character is an easy way out,and the weak part of the movie because she's essentially here to comfort the audience,to show the way to "straight" life and to secure a happy end.

The remake (1982) destroys all ambiguity,keeps nothing from the original story but the proper nouns ,and fills its quota of nudity and blood.Stick to the Tourneur version.

Influential and holds up terrifically wellReviewed byTheLittleSongbirdVote: 9/10

Cat People is one of the horror genre's most influential films, it's one of the first psychological horrors or at least one of the first to play on the fears of the audience. But Cat People is more than just an influential film, it's also a great one and holds up terrifically well.

It's very well made, with beautiful cinematography and great and effective use of shadows and shadowy lighting. The sets are also hauntingly sumptuous. Cat People has a haunting music score and a very intelligent script that has a good amount of tension as well as a bit of subtle wit. The story, and the atmosphere it has, is one of the main reasons why Cat People works so well, this is more than a monster/ghost feature, this is more a psychological horror that relies on suspense and playing on the audience's fear. Both of which Cat People does splendidly, the suspense in the best parts is positively nerve-shredding and the whole film has a constant eeriness that makes it creepy without resulting to cheap shocks, jump scares or gore. For me the two most effective scenes have always been with the pool and the walk through the park, the latter being justifiably famous and contains a very clever "false shock". It's beautifully directed by Jacques Tourneur, the characters are interesting and the acting is mostly solid if not the best, with Simone Simon being superb. Simon brings a sensuality, menace and poignancy to her role, that makes her presence chillingly mysterious but at times moving. Tom Conway does just fine too.

If there is anything to criticise, Kent Smith is very stiff here. Other than that Cat People is great, both of its genre and as a film in general. 9/10 Bethany Cox

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