Die! Die! My Darling! (1965) 1080p YIFY Movie

Die! Die! My Darling! (1965) 1080p

Fanatic is a movie starring Tallulah Bankhead, Stefanie Powers, and Peter Vaughan. A young woman is terrorized by her deceased fiancé's demented mother who blames her for her son's death.

IMDB: 6.42 Likes

  • Genre: Horror | Thriller
  • Quality: 1080p
  • Size: 1.52G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 97
  • IMDB Rating: 6.4/10 
  • MPR: Normal
  • Peers/Seeds: 4 / 19

The Synopsis for Die! Die! My Darling! (1965) 1080p

Patricia Carroll arrives in London to get married with her fiancé Alan Glentower. However, the stubborn Pat decides to pay a visit in the country to Mrs. Trefoile, the mother of her former fiancé Stephen, who died in a car accident. Once there, the religious fanatic Mrs. Trefoile insists to Pat to stay overnight to go to the mass on the next morning. After going to the church, the naive Pat tells Mrs. Trefoile that she was not going to marry Stephen, triggering her insanity. Mrs. Trefoile abducts Pat to purify her sins and make her pure for her beloved son.


The Director and Players for Die! Die! My Darling! (1965) 1080p

[Director]Silvio Narizzano
[Role:]Stefanie Powers
[Role:]Peter Vaughan
[Role:]Maurice Kaufmann
[Role:]Tallulah Bankhead


The Reviews for Die! Die! My Darling! (1965) 1080p


Tallulah Bankhead Has Staying PowersReviewed bywes-connorsVote: 7/10

Before she marries her handsome fiancé (and becomes "The Girl from U.N.C.L.E."), pretty Stefanie Powers (as Patricia "Pat" Carroll) decides to visit Tallulah Bankhead (as Mrs. Trefoile), the eccentric mother of an ex-lover who killed himself some years earlier. Since the death of her son "Stephen", Ms. Bankhead has been in prayerful mourning. At first, she seems simply overly gracious; but, rest assured, Bankhead's religious fanaticism is guaranteed to raise hell for Ms. Powers. Delusional, Bankhead believes "Stephen" died a virgin, and believes Powers should join him after a lifetime of virginity. Powers isn't interested.

Luridly but beautifully re-titled "Die! Die! My Darling!" for American consumption, seeing this film listed in your "TV Guide" was the biggest thrill outside of "Whatever Happened to Baby Jane?" It only had one aging ungracefully movie star, but adds a pretty woman in peril. Bankhead did relatively few movies, and even fewer as she grew older. You really couldn't be sure she'd show up, and be sober enough to perform, so each Bankhead appearance is a thankful treasure. Of course, Powers misses many opportunities to escape - but, take Tallulah Bankhead's incredible staying powers into consideration. She's captivating.

******* Fanatic (3/21/65) Silvio Narizzano ~ Tallulah Bankhead, Stefanie Powers, Donald Sutherland, Yootha Joyce

Hag Horror From HammerReviewed byLeonLouisRicciVote: 8/10

Not without a couple of Flaws, this is Nevertheless a Solid Entry into the Hag Horror Wave that Embellished the 1960's. Hammer's Horror here is a 'Real Life" Fanatic (alternate Title) of the no Less than Scary Antagonist as Opposed to a Monster or Vampire, those Religious Types that are so Evident Today.

The Always Dependable Richard Matheson Penned this Script and Tallulah Bankhead gives Her Final Curtain Call as a Craggy Character with a Performance that will not be Denied. She Dominates the Screen with an Acting Style that befits this Mother-In-Law From Hell. That is to say Completely Out to Lunch, Gone Fishing, Toys in the Attic.

But it is in the Cellar that the most Expressionistic, Colorful Confrontations Appear like Monstrous Memories of Unwanted, Underground, Beneath the Surface, Repressed Guilt. It is there that Hammer's Trademark Style is the most Evident and Effective.

The aforementioned Flaws are a Pre-Woman's Liberation Suspension of Disbelief that allows Stefanie Powers no Power to Overcome such a Sickly Tormentor and the Ridiculously Silly Comedic Music used over the Opening Titles and in a few Scenes that feels Jarringly out of Place.

Chew! Chew! The Scenery!Reviewed bygbrumburghVote: 7/10

What inspired casting! The libidinous Tallulah Bankhead as a drab, sober, religious zealot! That alone is worth the price of admission. Thanks to Bette and Joan, the 60s era of Grand Guignol brought some of our favorite glossy "middle-aged" legends back to the somewhat less glossy cinematic limelight. Debbie Reynolds, Shelley Winters, Olivia de Havilland, Geraldine Page, Agnes Moorehead, and Ruth Gordon all took the Gothic plunge. The prerequisites? Simple. Look like hell and act like a mad bull in a china shop. So why not grand ol' Tallulah, dahling?

Here, the "Alabama Foghorn," as Fred Mertz once called her when she guested (hilariously so) on an episode of "The Lucy-Desi Comedy Hour," is called upon to play the prim, tight-lipped Mrs. Trefoile, a wacko bible-thumper whose only child died a short time before. When her dead son's fiancee (Stefanie Powers) comes to pay an overdue visit out of respect, she makes a big whoops and tells the old lady that she is about to marry another man. And now the fun begins...

Urged on by her Maker (of course) to exorcise the young girl's demons and restore her purity (she wears that blasphemous red lipstick, you see) and, oh yeah, also to punish her (of course)for her mortal wickedness and ultimate betrayal to her dead son, the old lady (of course) imprisons the young damsel in her medieval-styled lair for a week's worth of (naturally) bible verse and repentance. But then the old crackpot decides she'd be better served if she (you know) takes it up a notch and makes her (of course) a sacrificial lamb instead. See, Trefoile finds out that the girl is still a virgin so (of course) if the girl's still a virgin, her soul can still be (you know) saved and, at the same time, she can be reunited with Trafoile's dead son in heaven, which better serves his memory. You know, kill, I mean save, two birds with one stone.

Seeing Bankhead cavorting around as a dowdy, highly repressed teetotaler while spewing passages from Revelations is an admittedly sinful pleasure. What's even better is that the old girl gets away with it. As bizarre and campy as one could hope for, Bankhead's Mrs. Trefoile is still all prickly seriousness and deadly menace, possessing a convincingly firm, fervent gait. She doesn't really play the joke. Moreover, she manages to slightly stroke audience sympathy with human shadings of loneliness and utter despair. The atmosphere is appropriately claustrophobic and suspense is built up expertly too, with every Bankhead entrance punctuated by creepy, stringy harpsichord music.

Fun too is watching Bankhead's Addams Family-like household run amok, especially Donald Sutherland as a mute, dim-witted servant -- a role I'm sure he'd love to erase permanently from his resume. Poor bruised and bloodied Stefanie Powers does yeoman's work here, gaining our sympathy from the onset and making a wonderfully feisty "straight man" to the Bankhead histrionics.

And just wait until the skeletons come out of the closet. Like you knew they would! Bankhead's final curtain in the flick is a great wallow. And speaking of final curtains, this was regrettably her last feature film.

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