To Have and Have Not (1944) 1080p YIFY Movie

To Have and Have Not (1944) 1080p

To Have and Have Not is a movie starring Humphrey Bogart, Lauren Bacall, and Walter Brennan. During World War II, American expatriate Harry Morgan helps transport a French Resistance leader and his beautiful wife to Martinique while...

IMDB: 8.07 Likes

  • Genre: Adventure | Comedy
  • Quality: 1080p
  • Size: 1.91G
  • Resolution: / fps
  • Language: English
  • Run Time: 100
  • IMDB Rating: 8.0/10 
  • MPR: Normal
  • Peers/Seeds: 4 / 9

The Synopsis for To Have and Have Not (1944) 1080p

Harry Morgan and his alcoholic sidekick, Eddie, are based on the island of Martinique and crew a boat available for hire. However, since the second world war is happening around them business is not what it could be and after a customer who owes them a large sum fails to pay they are forced against their better judgment to violate their preferred neutrality and to take a job for the resistance transporting a fugitive on the run from the Nazis to Martinique. Through all this runs the stormy relationship between Morgan and Marie "Slim" Browning, a resistance sympathizer and the sassy singer in the club where Morgan spends most of his days.


The Director and Players for To Have and Have Not (1944) 1080p

[Director]Howard Hawks
[Role:]Walter Brennan
[Role:]Lauren Bacall
[Role:]Humphrey Bogart
[Role:]Dolores Moran


The Reviews for To Have and Have Not (1944) 1080p


"Was you ever bit by a dead bee?"Reviewed bytommythekVote: 7/10

Well, was you? That's Eddie's (Walter Brennan) inexorable question all throughout "To Have and Have Not" to anyone within earshot. And it's only the 3rd or 4th best line in the movie. Seems there's this one line where one person tries to teach another person how to whistle. And another one after a passionate kiss when a gal tells a guy that it's even better when he helps. Duh! But I like what happens after yet another passionate smooch between Bogie and Bacall. She pulls away and says to him, "You need a shave," after which she immediately love-slaps his unshaven face. It's her way of telling him without words that she's attracted to him and she really doesn't give a good hoot whether he shaves or not.

By now, just about everyone knows that this movie is all about "Steve" (Humphrey Bogart) and "Slim" (Lauren Bacall). In their first movie together, the two exhibit an explosive chemistry rarely seen from any other actor-actress combo. As one watches the movie, with the great Howard Hawks putting the two thru their various paces, one simultaneously imagines the two of them falling in love offscreen -- which they did! -- just as they do in this movie. For more on this, I highly recommend Lauren's autobiography -- "By Myself." In that book, she talks about the two of them sneaking around to see each other like a couple of teenagers -- which she was! As I recall, Bogie was still married at the time -- though estranged from Mayo Methot.

As for "T H a H N," there are many other fine elements that make it well worth one's time. A pretty good storyline revolving around the Free French contesting the Vichy French (Nazi collaborators) in Martinique during the early days of World War II. A strong supporting cast much reminiscent of the one in "Casablanca." Great dialogue by novelist William Faulkner and Jules Furthman. Also, a strong musical score ("Am I Blue?" -- "How Little We Know" -- "Hong Kong Blues") by Hoagy Carmichael with a strong assist from Johnny Mercer.

In a very good Humphrey Bogart movie, which this certainly is, one would never suspect that a young ingenue actress, with little training or experience, could scene-steal from a polished veteran like Bogie. And I won't say that she does such in this movie. I do know that she did not want to and was not trying to (her autobiography). The fact is, however, that it took a star actor of Bogie's magnitude to keep Betty from dominating the screen with her earthy sex appeal and pure luminescence. Her sashay out of the bar in the last scene here is enough to make any man weak in the knees. No wonder Bogie tumbled! Both onscreen and off!

So ..... tell me, now ..... WAS you ever bit by a dead bee?

Rhum with a VieuxReviewed byatlasmbVote: 9/10

The success of "Casablanca" two years before undoubtedly influenced the writing of this film, which started as an adaptation of a book by Hemingway. Most of the plot and details from that book were jettisoned. The final script has Humphrey Bogart playing a business owner in a Vichy-controlled French colony who is drawn into political intrigue despite the fact that he normally avoids such involvement.

Bogart's Steve is a libertarian at heart. He believes in a "live and let live" approach to life. Don't bother him--or his friends, or those who are unable to defend themselves--and he will not bother you. His sidekick is Eddie, a "rummy" who depends on Steve. Eddie (Walter Brennan) is a liability because he talks too much, but he is more than a dependent; he is "family". Steve runs his charter fishing service and Eddie drinks the beer.

As the internal politics heat up in Martinique, Steve largely avoids being affected, though the increase in regulations are beginning to chafe. What motivates him to step outside his carefully maintained neutrality is a woman. He meets "Slim"--played by Lauren Bacall--a young woman with a dubious past, whose smoky presence alters the equilibrium of Steve's life.

Shot in B&W on a sound stage--like "Casablanca"--"To Have and Have Not" has a moody, noir feeling that sometimes feels claustrophobic, as if the outside world does not exist. "Key Largo" has a similar mood. The lighting is a large part of this atmosphere. The music also plays a significant role, with Hoagy Carmichael's piano playing alternating between jazzy, sultry and tropical. Lauren Bacall's husky singing voice is the perfect complement.

Watch for Sheldon Leonard who plays "muscle" for the mean-spirited Vichy authority who disrupts Steve's world. (An interesting comparison is Leonard's role as Harry the Horse in "Guys and Dolls", 1955).

In the end, it is Bacall who steals the show. Her presence is the star whose gravity affects the orbits of every actor in the scene. Her little dance at the end of the film totally changes our perception of the ending and our belief what the future holds for this new family trio.

Casablanca LiteReviewed byhall895Vote: 6/10

Humphrey Bogart plays an American who reluctantly gets mixed up with resistance fighters in a French overseas territory during World War II. Gee, where have we seen this before? As successful as Casablanca was you can't blame a studio for wanting to churn out a Casablanca imitation. But where Casablanca is undeniably a classic film To Have and Have Not comes up somewhat short. The story is not as compelling, the characters not as engaging. It's a decent film but in going so out of its way to be like Casablanca in every respect this film can't help but suffer in comparison. All the elements of Casablanca are here but all those elements worked better in the earlier film.

This time rather than Morocco we're in Martinique. Bogart plays fishing-boat captain Harry Morgan. Before the client to whom Harry's been renting his boat can pay him complications ensue. And now Harry is mixed up in something he wants nothing to do with. Meanwhile a pretty young woman shows up and you just know she's going to complicate things further. Harry quite begrudgingly agrees to help the resistance fighters with their cockamamie plans. And meanwhile he falls in love with the young woman. Much of the film takes place in a nightclub with a piano player warbling away because, well because that's how they did it in Casablanca. Much as the Bogart-Bergman interactions made Casablanca spark to life here it is the chemistry between Bogart and young Lauren Bacall which perks things up. They make for a great couple but the movie which surrounds them lets them down somewhat. The story is just not all that interesting. So similar to Casablanca yet for whatever reason the story here just doesn't grab you the way it did back then. No romantic rival for Bogart here along the lines of the Paul Henreid character in Casablanca, that removes some tension this film could have dearly used. Could have used someone to fill a Claude Rains kind of role too. This movie is so focused in on Bogart and Bacall. This famous couple does a fine job but they could've used a little help. They have to carry pretty much the entire weight of this film on their shoulders. Their back and forth provides some great moments. But there are not enough great moments to make this a great movie.

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