Wind River (2017) 1080p YIFY Movie

Wind River (2017) 1080p

A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.

IMDB: 7.847 Likes

  • Genre: Crime | Drama
  • Quality: 1080p
  • Size: 1.62G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 111
  • IMDB Rating: 7.8/10 
  • MPR: Normal
  • Peers/Seeds: 31 / 306

The Synopsis for Wind River (2017) 1080p

WIND RIVER is a chilling thriller that follows a rookie FBI agent (Elizabeth Olsen) who teams up with a local game tracker with deep community ties and a haunted past (Jeremy Renner) to investigate the murder of a local girl on a remote Native American Reservation in the hopes of solving her mysterious death.


The Director and Players for Wind River (2017) 1080p

[Director]Taylor Sheridan
[Role:]Jeremy Renner
[Role:]Julia Jones
[Role:]Kelsey Chow


The Reviews for Wind River (2017) 1080p


What a Start For Taylor SheridanReviewed byThomas DrufkeVote: 8/10

Crime dramas have always been one of my favorite genres of filmmaking, especially the ones that take themselves seriously and pose interesting questions about life. Wind River takes the genre up in the cold, snowy tundra of the Wind River Indian Reservation in Wyoming. Gritty, brutal, and well-timed action, Wind River builds a simply structured crime film into an important conversation about missing persons with a great storyteller and one great cast.

Coming from writing the likes of Sicario and Hell or High Water, Taylor Sheridan is really making a career for himself. It's hard to imagine it's the same guy who made those short acting cameos in Veronica Mars back in the day, but Sheridan is separating himself from the pack in terms of his writing skills. I won't say that Wind River reaches the heights that either of his other two writing efforts did, but the sheer power of the subject matter of this film may take this film into Oscar season.

Jeremy Renner stars as Corey Lambert, a man with a tragic past, teams with Jane Banner (an FBI agent played by Elizabeth Olsen) to solve a murder. It's easy to label Banner as the "out of place woman who needs the help of a hardened man", because it can appear that way at first glance. But I'll view it as two people who cross paths with each other and end up working together to better their current situations. It also doesn't hurt that both Renner and Olsen have pre- established chemistry from the Marvel films, and dynamite together on screen.

However, I do believe that Sheridan could have done a slightly better job of directing the tone of Wind River. There were times where it seemed the actors were giving endearing performances and monologues, only to be sometimes interrupted by a subtle joke or a lighthearted comment. I think that just a minor change in direction of his actors would have changed those moments for the better. With that said, Sheridan's brutal touch of action when the film calls for it is impressive to say the least. It's those moments that helps put a realistic layer to Wind River.

Overall, Wind River is a grounded but moving take on murder, rape, and missing persons cases. Solid performances, sharp script, and nuanced storytelling, Wind River is a fascinating crime drama.

8.0/10

Grim, generic thrillerReviewed byrrpjrVote: 5/10

Atmospheric, capable thriller but feels shopworn and its production marred by TV-style shot selection and editing. Story of Indian reservation killing is chock-a-block with grim and squalid images we've seen in other stories with same old Hollywood virtue-signaling about awful white man's depredations. Two leads are adequate but nothing remarkable in the writing to lift or distinguish their characters. We've seen it before. Hunter/tracker Renner offers awkward exposition speech about his family tragedy (we know its coming, and it does not come seamlessly for the story). Scenes of brutality are fairly predictable, and so are the antagonists. For great take on murder on Indian reservation story check out Thunderheart.

Reviewed byjared-andrews2357Vote: 8/10/10

If you've seen any of Taylor Sheridan's previous work, you probablynoted that he has a certain style. He tells stories about ways of lifein dilapidated regions of the country. He blurs the lines between "goodguys" and "bad guys," instead framing the status of the selected regionas the truest villain. What's right and wrong, considering all theunique variables of each story, is not always clear. At least, that wascase in Sicario and Hell or High Water.

In Wind River, the region is still presented with all the strain thatis causes on the lives of its residents, but a much more obviousvillain is revealed before the movie is over.

Hell of High Water frames the crumbling economy of a certain Texasregion as the real source of evil, rather than any characters. Whereasin Wind River the source of evil is definitely the rapist. I mean, therapist attempts to blame the cold and silence, but his actions wereclearly much worse than bad weather.

Sheridan's previous films also left doubt about who were the heroes,who the audience should be rooting for. This time it was much lessambiguous—they were the people searching for the rapist.

An emerging theme in Sheridan's movies appears to be Tarantinoesqueeruptions of violence, sometimes near the conclusion. They don't alwaysreach the levels of the Django Unchained shootout, but Sheridan clearlyisn't shy about showcasing the unforgiving damage that can be inflictedby firearms.

Complaints, I have a few. On more than one occasion, I legitimatelycould not understand what a character had said, so I was left wonderingif I missed something important. I'm not sure if this manner ofspeaking was a choice made by the actors or if this was a decision madeby Sheridan to establish a certain tone. Either way, I could have usedless mumbling.

The other complaint that I have, and this is more serious, the middlethird of the movie felt like it contained a lot of empty moments. Thismay or may not have been related to the times that I couldn'tunderstand what a character said. Still, the movie could have used abit of its fat trimmed. It wasn't as crisp and clean as Hell or HighWater and Sicario. And I know I keep comparing this movie to Sheridan'sothers, but that's bound to happen when a writer sets the bar so highwith two gems.

On the whole, I consider this a success for Sheridan in his directorialdebut. I'd happily watch another story of his about justice and anoverlooked culture.

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